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Closed World


A four-part film program presented in conjunction with Makeshift Memorials, Small Revolutions


Upcoming Screenings:

TUE MAR 4

11a Part I: closed world redux: Exercise in Grief

1p Part II: closed world redux: Exercise in Memory/Memorialization

THU MAR 6

11a Part III: closed world redux: Exercise in Resilience

1p Part IV: closed world redux: Exercise in Recovery/Rebuilding

FRI MAR 7

11a Part I: Exercise in Grief

12:30p Part II: Exercise in Memory/Memorialization

1:30p Part III: Exercise in Resilience

3p Part IV: Exercise in Recovery/Rebuilding

A four-part film program presented in conjunction with Makeshift Memorials, Small Revolutions.

To coincide with Makeshift Memorials, Small Revolutions, Innocent Ekejiuba and Erika Mei Chua Holum co-curate a four-part film program entitled Closed World. The film program is designed as four exercises in healing, encompassing grief, memory/remembrance, resilience, and rebuilding/recovery. The four-part exercises build and unbuild a “closed world” progressively and collaboratively, through community participation. Accordingly, the exercises are designed as a generative system which replicates multiple environments including the home, the theater, and the gallery space. A ‘closed-world’ or ‘closed-loop system’ examines the earth as a whole—as a complete and interconnected system. The Closed World film program will be held in venues in Texas (Blaffer Art Museum, Houston; The Contemporary, Austin), Indonesia (inaugural Friendship Pavilion in 900mdpl biennale in Kaliurang, Yogyakarta, in collaboration with curators Mira Asriningtyas and Dito Yuwono); and in Peru (Proyecto AMIL, Lima). Expanding the community conversation of the exercises, each venue additionally invites artists as part of the film programs.

A closed world is built and unbuilt through the progression of the four-part exercises and the community’s participation. The film program is predicated on the credo that it is not enough to talk about healing or grief, a complete healing process must be undertaken as a community in order to ensure that rebirth happens on a communal scale.


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Chan Teik Quan, Weeping Birds (2018), video still. Courtesy the artist, by KADIST collection.

Exercise in Grieving


Films:
Chan Teik Quan, Weeping Birds, 2018
Pooja Gurung & Bibhusan Basnet, DADYAA: The Woodpeckers of Rotha, 2018
Saige Kanik, After We’re Gone, 2024
Runo Lagomarsino, Yo también soy humo (I am also smoke), 2020
Araya Rasdjarmrearnsook, The Class, 2005


Chitra Ganesh, Silhouette in the Graveyard (2018), digital animation, 1:22 mins (video still). Courtesy the artist, licensed by KADIST for its programs.
Chitra Ganesh, Silhouette in the Graveyard (2018), video still. Courtesy the artist, licensed by KADIST for its programs.

Exercise of Remembrance and Memory


Films:
Aline Baiana, At that time when everything was human, 2016
Martha Colburn, Western Wild … or How I Found Wanderlust and Met Old Shatterhand, 2017
Chitra Ganesh, Silhouette in the Graveyard, 2018
Jakrawal Nilthamrong, Invalid Throne, 2018
Thania Petersen, KASSARAM, 2020
Sriwhana Spong, Beach Study, 2012


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Wang Tuo, The Interrogation (2017), video still. Courtesy the artist, KADIST collection.

Exercise in Resilience


Films:
Nguyen Phuong Linh, Memory of the Blind Elephant, 2016
Nguyen Trinh Thi, How to Improve the World, 2021
Wang Tuo, The Interrogation, 2017


Rahima Gambo, Instruments of Air (2020), single-channel HD video, 14:51 mins (video still). Courtesy the artist, KADIST collection.
Rahima Gambo, Instruments of Air (2020), video still. Courtesy the artist, KADIST collection.

Exercise of Rebuilding and Recovery


Films:
Heba Amin, As Bird’s Flying, 2016
Caroline Déodat, Landslides, 2020
Rahima Gambo, Instruments of Air, 2020
Laurent Montaron, What remains is future, 2006
Eusebio Siosi, Sueños de Jepira (Dreams of Jepira), 2022